The Class (2. 00. Wikipedia. The Class (French: Entre les murs; lit. "Between the walls" or "Within the walls") is a 2. French drama film directed by Laurent Cantet, based on the 2. François Bégaudeau. The novel is a semi- autobiographical account of Bégaudeau's experiences as a French language and literature teacher in a middle school in the 2. Paris, particularly illuminating his struggles with "problem children": Esmerelda (Esmeralda Ouertani), Khoumba (Rachel Regulier), and Souleymane (Franck Keïta). The film stars Bégaudeau himself in the role of the teacher.[2]The film received the Palme d'Or at the 2.

The Class (French: Entre les murs; lit. "Between the walls" or "Within the walls") is a 2008 French drama film directed by Laurent Cantet, based on the 2006 novel of.

Cédric Dumond est un acteur français, né le 19 septembre 1969 [1]. Actif dans le doublage [2], [3], il est notamment la voix française régulière de Paul Rudd.

Cannes Film Festival, making it the first French film to do so since 1. Maurice Pialat won the award for Under the Sun of Satan. The Class was also nominated for an Academy Award for Best Foreign Language Film but lost to Departures. Watch I Love You To Death Megavideo. Set wholly in a secondary school in a working- class district of Paris, where many inhabitants are foreign- born, the film follows the year of a young teacher, François Marin, and the 2. French language. A loner, he walks the narrow line between maintaining discipline and gaining co- operation.

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2. Directed by Julien Temple. With James Frain, Romane Bohringer, Nicholas Barnes, David Battley. Based on the life of a classic french cineast Jean Vigo, the story.

From the start, wide differences are apparent in the class over standards of dress, deportment, knowledge and application. A dispute arises over using the imperfect and pluperfect subjunctive, which he admits may be a bit of an affectation and is then labelled as gay (his sexuality is not revealed in the film). When pupils have to read aloud from a set book, The Diary of Anne Frank, a girl called Khoumba refuses because she does not consider it relevant to her life. In private, François forces her to apologise. Success comes when he asks the pupils to write a self- portrait. An assertive girl called Esmeralda reveals that she would like to be a policewoman or failing that, a rapper.

A difficult boy called Souleymane, weak in written French, submits his story in an interesting series of photographs (at a parents' evening, his mother can speak no French at all). However, after an argument over football teams with Carl, another boy who is problematic, Souleymane insults François and is sent to the head teacher's office. At a teachers' conference to decide final placings, François defends Souleymane but his efforts are undermined by the two student representatives at the meeting, Esmeralda and Louise, who behave in a very childish manner. Afterwards, though sworn to secrecy, the two girls tell the others that François had it in for Souleymane. A furious François rebukes the pair, saying they behaved like "skanks". Uproar follows, in which Souleymane, after accidentally hitting Khoumba with his sports bag, storms out and is suspended.

After a disciplinary hearing at which Souleymane is supported by his mother, for whom he has to translate, he is excluded and faces possible deportation to his native country, Mali. In the last lesson of the year, François asks each pupil what they have learned over the year. Carl has been inspired by science experiments in his chemistry class, Khoumba has warmed to music and enjoyed learning Spanish, Esmerelda pretends to have learned nothing but then admits that she has been reading Plato's Republic and is gripped by the character of Socrates. After they have all left the room, a quiet girl called Henriette comes back and despondently claims that she really has not learned anything at all. Outside, an impromptu football match has begun between the pupils and teachers, which François joins and scores a brilliant goal. François Bégaudeau : François Marin, the French language teacher. Jean- Michel Simonet : the school principal.

Burak Ozyilmaz : Burak, top boy of the class. Boubacar Touré : Boubacar, who accuses Marin of being gay. Carl Nanor : Carl, who has been excluded from his previous school. Louise Grinberg : Louise, top girl of the class and a student delegate. Esmeralda Ouertani : Esmeralda, the other student delegate. Franck Keïta : Souleymane, whose lack of control leads to him being disciplined. Henriette Kasaruhanda : Henriette, the silent girl who says she has learned nothing.

Rachel Régulier : Khoumba, the girl who refuses to read. Reception[edit]. The cast at Cannes Film Festival 2. The film has received critical acclaim, achieving a 9. Rotten Tomatoes out of 1. The site's consensus reads, "Energetic and bright, this hybrid of documentary style and dramatic plotting looks at the present and future of France through the interactions of a teacher and his students in an inner city high school."[3]Metacritic lists Entre les murs with a rating of 9.

The film was warmly reviewed by the critic Philip French who noted: "There is a remarkable French tradition of school films, extending from Jean Vigo's Zéro de Conduite, to Nicolas Philibert's Être et avoir. Laurent Cantet, whose parents were both teachers, carries it on and he elicits marvellous performances.. As the teacher at a tough, racially mixed, inner- city school in Paris, Marin (François Bégaudeau), neither weary cynic nor wide- eyed idealist, is a decent, determined realist. The film was the featured 'opening night' selection at the 4. New York Film Festival in 2.

Top ten lists[edit]The film appeared on many critics' top ten lists of the best films of 2. Dana Stevens, Slate[6]2nd - Kenneth Turan, Los Angeles Times (tied with A Christmas Tale)[6]2nd - Michael Phillips, Chicago Tribune[6]2nd - Peter Rainer, The Christian Science Monitor[6]3rd - David Denby, The New Yorker[6]5th - David Edelstein, New York magazine[6]5th - Dennis Harvey, Variety[6]5th - Ella Taylor, LA Weekly (tied with A Christmas Tale)[6]5th - Stephanie Zacharek, Salon[6]7th - Andrea Gronvall, Chicago Reader[6]7th - Robert Mondello, NPR[6]8th - Owen Gleiberman, Entertainment Weekly[6]8th - Sean Axmaker, Seattle Post- Intelligencer[6]Accolades[edit]Award.

Date of ceremony. Category. Recipient(s)Result. Ref(s)Academy Awards. February 2. 00. 9Best Foreign Language Film. Laurent Cantet. Nominated[7]Cannes Film Festival. May 2. 00. 8Palme d'Or. Won[8]César Awards.

February 2. 00. 9Best Film. Carole Scotta, Caroline Benjo, Laurent Cantet. Nominated[9][1. 0]Best Director.

Laurent Cantet. Nominated. Best Adaptation. François Bégaudeau, Robin Campillo and Laurent Cantet. Won. Best Editing. Robin Campillo, Stephanie Leger. Nominated. Best Sound. Olivier Mauvezin, Agnes Ravez, Jean- Pierre Laforce. Nominated. European Film Awards.

February 2. 00. 9Best Film. Simon Arnal, Carole Scotta, Barbara Letellier, Caroline Benjo. Nominated[1. 1]Best Director.

Laurent Cantet. Nominated. Image Awards. 12 February 2.

Best Foreign Language Film. Won[1. 2]Independent Spirit Awards.

February 2. 00. 9Best International Film. Won[1. 3]Los Angeles Film Critics Association.

December 2. 00. 8Best Foreign Language Film. Runner- up[1. 4]Lumières Awards. January 2. 00. 9Best Film.

Won[1. 5]Public Prize. Won. Satellite Awards. December 2. 00. 8Best Foreign Language Film.

Nominated[1. 6]Toronto Film Critics Association. December 2. 00. 8Best Foreign Language Film. Runner- up[1. 7]References[edit]External links[edit].

Vigo (1. 99. 8) - IMDb. A remarkable account of the short life of filmmaker Jean Vigo. This excellent feature film by Julien Temple was made, according to a tribute made by him in the end credits, because 'Jean Vigo first opened my eyes to the possibilities of cinema'. Jean Vigo, who died at the age of only 2. They are ZÉRO DE CONDUITE (1. L'ATALANTE (1. 93. Vigo died just before finishing the film).

The latter film is 8. France with 2. 0 minutes cut out of it; the version existing today was pieced together some years ago from fragments, as Vigo did not live to complete the editing himself.

The name l'Atalante is that of a river and canal barge, on which the action takes place. Both of these films have had a seminal influence of the majority of serious Western filmmakers and are revered by historians of the cinema. Julien Temple's film tells the story of the tempestuous life of Vigo, his struggles with health and lack of money, and his romance and marriage with Elizabeth Lezinska, a Polish girl whom he met in a tuberculosis sanatorium in Switzerland. She survived him by only four years, as she too had the fatal disease. Watch I Am Sam Full Movie. They had a daughter, Luce Vigo, who died on February 1.

Paris, who acted in two films, appeared in three others as herself, and was a film critic. This film has very good casting.

Lezinska is played by the brilliant French actress Romane Bohringer, forever dear to the hearts of all true cinéastes for her magnificent performance in L'APPARTEMENT (THE APARTMENT, 1. It was Bohringer, with her mysterious manner and eyes that could be saying anything, one never knows quite what because dark thoughts are always rushing across them, who largely made that film work so well. Here she does the same. Vigo is played by James Frain, and the chemistry between the two is excellent. His performance is also superb.

He vacillates wildly between calm reason and manic fits of despair, anger, and creative fever, as he falls in and out of illness, wheelchairs, sickbeds, interspersed with bouts of frenetic and impassioned exertions. The film is a roller- coaster ride of emotions and desperate anxieties as the two hopelessly doomed lovers fight to make films, fight with each other, fight the demons of his parents, fight the disapproval of her parents, and struggle to survive with no money. The fact that Vigo was able to make any films at all was a miracle of fanatical determination and a triumph against impossible odds.

Julien Temple chose to make this film about his hero so that the world would know what it takes sometimes to achieve greatness. Now we know out of just what sort of nightmare environment those two classic films arose. From the pits of misery heavenly angels can sometimes arise, though it must be admitted that such occasions are rare, as few of us are strong enough for that. This film (copyrighted 1. Channel Four in Britain in 1. DVD, but I do not know whether it was ever cinematically distributed. I believe that few people have seen it.

And that is, as the Americans say, 'a cryin' shame'.