Cinema of Denmark - Wikipedia. Cinema of Denmark. The Dagmar Teatret cinema.

No. of screens. 39. Per capita. 7. 9 per 1. Main distributors. SF Film 3. 0. 0%Nordisk Film 2. Buena Vista 2. 2.

Denmark has been producing films since 1897 and since the 1980s has maintained a steady stream of product due largely to funding by the state-supported Danish Film.

Contains cast and crew details, quotes, trivia, goofs, photos, and links. Our film critics on blockbusters, independents and everything in between. · Este foro recoge las filmografías que los usuarios han recopilado como excelentes guías de consulta.

Produced feature films (2. Fictional. 25 (5. Documentary. 18 (4. Number of admissions (2. Total. 12,4. 33,0.

Per capita. 2. 4 (2. National films. 3,3. Gross box office (2. Total. DKK 7. 50 million. National films. DKK 1. Denmark has been producing films since 1. Danish Film Institute.

Historically, Danish films have been noted for their realism, religious and moral themes, sexual frankness and technical innovation. The Danish filmmaker Carl Theodor Dreyer (1.

Other Danish filmmakers of note include Benjamin Christensen, who outside his native country directed several horror classics including Häxan (1. Seven Footprints to Satan (1. Erik Balling, the creator of the popular Olsen- banden films; Gabriel Axel, an Oscar- winner for Babette's Feast in 1.

Bille August, the Oscar- , Palme d'Or- and Golden Globe- winner for Pelle the Conqueror in 1. In the modern era, notable filmmakers in Denmark include Lars von Trier, who co- created the Dogme 9.

Susanne Bier and Nicolas Winding Refn. History[edit]Beginnings[edit]Danish cinema pioneer Peter Elfelt, a photographer, was the first Dane to make a film. Stoner Express Movie Watch Online. Between the years of 1. Denmark. His first film was Kørsel med Grønlandske Hunde (Traveling with Greenlandic Dogs). Furthermore, he produced the first Danish feature film: Henrettelsen (Capital Execution, 1. The first film show in Denmark took place in the Panorama cinema on the Town Hall square in Copenhagen, in June 1.

However, the selection of films had been made and produced abroad. The Golden Age[edit]Despite the small size of its native market and its relatively limited resources, Denmark reigned supreme for several years (1. Europe's most prosperous film center. Its films rivaled those of Hollywood, for popularity on the screens of Paris, London, Berlin and New York. Live Cargo Full Movie Part 1.

In 1. 90. 6, cinema owner Ole Olsen founded the first Danish film- making company, Nordisk Films Kompagni. It gained most of its income from the export market of short films.

Not until 1. 90. 9 were other film- producing companies established. Watch Repos Online (2017). In 1. 91. 0 the number had reached ten. This period is now known as the Golden Age of Danish Cinema.

In the spring of 1. Nordisk Films Kompagni changed its policy of producing only short films and began making feature films.

This was largely inspired by the Århus Fotorama company's Den hvide Slavehandel (The White Slave Trade, 1. Danish film lasting more than 3. With the increasing length of films, there was a growing artistic awareness, which is evident in Afgrunden (The Abyss, 1.

This film launched the career of Asta Nielsen, who soon became Europe's first great female film star.[6] The film was an erotic melodrama, which soon became the preferred genre in early Danish cinema. In 1. 91. 1, with director August Blom as the new head of production, Nordisk Film was the first of the major European companies to devote itself entirely to full- length feature films. These films were sold abroad profitably because the technical and photographic quality impressed audiences. Yet, when exporting the films, the erotic elements needed to be toned down in order not to offend the working class audiences. In 1. 91. 3, Nordisk released the first full- length feature movie, Atlantis directed by Blom. After 1. 91. 3, Danish cinema began to lose its leading foothold in the film industry, with foreign companies having intensified competition in the production of feature- length films. Danish cinema had also begun to suffer from a lack of imagination and a willingness to take creative risks on the part of Danish producers.

Independent producer Benjamin Christensen had great success with the spy film Det hemmelighedsfulde X (The Mysterious X or Sealed Orders, 1. Hævnens Nat (Blind Justice or The Night of Revenge, 1. Danish cinema; he would later direct several films in Sweden and Hollywood.

During World War I, the USA became the leading nation in film production and Danish exports decreased. In the years following the war, Dreyer made an appearance as director at Nordisk Film with the drama Præsidenten (The President, 1. Blade af Satans Bog (Leaves from Satan's Book, 1. American director D.

W. Griffith's Intolerance (1. However, Dreyer, as well as Benjamin Christensen, were not permanently connected to the influential Danish film industries and remained loners. As a whole, Danish film in the 1. Of most interest at this time were perhaps the so- called Dickens movies directed by the very able A.

W. Sandberg. At one point Denmark again enjoyed some international reputation, by the many farces of the vagabond duo Fyrtaarnet og Bivognen (often known by their French names Doublepatte and Patachon), who were Scandinavian predecessors of Laurel and Hardy. They were introduced by Palladium, the rival of Nordisk Film. Despite these resurgences, at the end of the decade the Danish film industry was on its heels. In 1. 92. 9, Nordisk Film Kompagni was established as a sound film company. The Pastor of Vejlby (1. Nordisk's dominance in the Danish market. The 1. 93. 0s were dominated by many successes with light comedies.

The so- called "folkekomedie" (folk comedy) genre was born, with Barken Margrethe (1. The Depression and the economic conditions of the film companies prevented more serious film business, and the victory of the sound movie automatically set greater limits on the international possibilities of Danish film. Many popular stars like Marguerite Viby, Ib Schønberg and Peter Malberg had breakthroughs but in spite of many economic successes no further development of the media was seen. Between 1. 94. 0 and 1.

German occupation of Denmark during World War II pushed the film industry toward more serious subject matter. The darker tone during these years paralleled the rise of film noir in Hollywood.

Bodil Ipsen made her directorial mark with 1. Afsporet, the first Danish film noir, and continued with the psychological thriller Melody of Murder (1.

The standard of the comedy was also lifted, especially by the witty, elegant movies of Johan Jacobsen, a Danish pupil of Ernst Lubitsch. After the war ended, there was a movement toward realism and social criticism, particularly noted in films directed by Ole Palsbo. Soon, however, Denmark's film industry returned to making the light sentimental comedies and uncomplicated regionalist movies that were popular with Danish filmgoers. A large stream of family comedies ("Lystspil") and class- conscious folk comedies ("folkekomedier") were produced from the 1.

Here a lot of Danish stars were born, such as Dirch Passer, Ove Sprogøe and director Erik Balling. Important films of this period include De røde heste (1.

Far til fire (1. 95. Kispus (1. 95. 6, first Danish film in colour[8]), Støv på hjernen (1. Sommer i Tyrol (1. Passer passer piger (1. Olsen Banden- series (1.

Erik Balling's classic TV- sitcom Huset på Christianshavn (1. In the sixties, Danish cinema became gradually more erotic, with films such as Halløj i himmelsengen (Erik Balling, 1. Sytten (Annelise Meinecke, 1. Jeg - en kvinde (Mac Ahlberg, 1. Uden en trævl (Annelise Meinecke, 1. As a natural progression, in 1.

Denmark became the first country to completely legalize pornography. In the 1. 97. 0s, a large percentage of all Danish films were sexually oriented, and many mainstream- features with mainstream- actors included sequences with either softcore- or hardcore- pornography, most notably Mazurka på sengekanten (John Hilbard, 1. I Jomfruens tegn (Finn Karlsson, 1. Bedside- films and six Zodiac- films."In 1. Danish feature film productions were pornographically minded, followed by a sudden drop off."— Carl Nørrested, Kosmorama No. In 1. 97. 2, the Danish Film Institute (DFI) was founded to provide state subsidies for hand- picked films.